12 Truths speakers need to know about speaker agents and speaker bureaus by Andrea Reynolds (Copyright 2003-2006)

Please read this carefully... before you start looking for an agent to find you speaking engagements.

 

If you are a new speaker or one who has been receiving no speaking fee or who is starting to earn better than tiny honoraria, you should be starting to consider how you can utilize resources that exist to help you earn better fees. In my 13 plus years of managing and representing niche speakers I've learned that many speakers, including those with experience, have some mistaken ideas about how speaker agents and speaker bureaus operate. Many speakers think they are the same - they're not - and often to refer to agencies as bureaus.

These
12 truths will help you make better choices in your speaking career.... and increase your profits.

1. An
AGENCY works for the interests of the speaker. An agency's client is you, the speaker: the one who is selling a service. An agent has an incentive to get you as high a fee as possible because the more she gets for you, the more she gets. The agent is eager to cultivate a relationship with a small number of professional speakers.

2. A
BUREAU works for the interests of the hiring organization. A bureau's client is the group or audience: the one who is looking to buy your service. While a bureau does get a percentage of the contract, the bureau wants to keep its client happy by keeping costs in line with its budget. That client, if happy, will return to the bureau to hire many more speakers - not necessarily you - in the future. The bureau is eager to cultivate a relationship with a large number of organizations.

3.
Agencies and bureaus don't seek speaking engagements for speakers. (Read that sentence again.) That's just not what they do. That's where publicists and PERSONAL MARKETING CONSULTANTS/FIRMS come in. They make their clients so visible and credible that speakers don't have to go "knocking on doors" for work. And publicists and PR firms get paid upfront for their services... that is, they do not work on commission. Agents and bureaus passively list speakers on their Web sites and brochures. They may actively promote their firm, but they do not actively market/promote individual speakers.

4. An AGENT works to get you more money and better treatment.
That's an agent's primary responsibility: to speak on your behalf (advocate) where it's uncomfortable for you to ask for what you deserve or get better terms than you have been offered. Some speakers would rather avoid discussing money at all costs, even if it means not getting as much as they deserve. An agent loves to handle what speakers prefer to avoid.

5.
AGENTS don't initiate "pitches" to organizations for speakers. (Read that sentence again.) With speakers who have never spoken or been paid to speak there just is no incentive for agents to do the work of publicists for free. It is in your best interest to hand over speaking invitations you receive to your agent. Example: Let's say you are offered $1000 for a speech. If your agent can get you $2000 and takes a 25% commission ($500), you're now getting $500 more than you would have on your own.

Many new speakers are so fearful of paying an agent a small percentage out of their fee, they refuse to allow an agent to get double or triple the original fee for them. I urge you to
part with a little to gain a lot. Here's an example of a poor business decision:

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Recently an author called me and asked me to handle negotiations for the sale of his back-of-the-room (BOR) books at a conference. He was offered an amount for his presentation plus travel expenses to another country. (That country was one I had lived in and had a great deal of experience.) However, he refused to allow me to negotiate a better speaking fee for him as well. I knew two things he didn't.

a.
I had certain knowledge about the organization so that I knew I could get at least 5 times the speaking fee he was offered.

b.
And I knew a way to negotiate so that getting that size fee for him was not going to preclude a large quantity sale of his books. I don't take a commission on book sales, so my only reward for advocating for him would be a commission from his speaking fee. He was so unwilling to let me have any commission that he deprived himself of an additional $3,250! (I declined the assignment.)

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6. Agents and bureaus are usually very happy to work together.
If a bureau is in a position to hire a speaker which an agent represents, the bureau will ask to split the commission. It costs you nothing more than the bureau's standard commission, but you still have the benefit of your agent's greater interest in what you receive and how you are treated.

7. Exclusivity is a two-way street.
If you don't want your agent to represent any other speakers in your niche - bureaus will list other speakers on your topic because it's in their clients' interests - then you must not work with other agents or bureaus. To do so is unethical and will cause your agent to drop you.

8. Exclusivity can work in your favor
. Build a relationship with just one agent over time and it becomes a partnership built on loyalty and trust. A good agent can help you build a great speaking career and reputation. (It was a speaker agent who worked with Deepak Chopra and built his speaking career from obscurity to a multi-million dollar empire by advocating for him.)

9. Not all agents and bureaus have commissions of 25-30%, although this is the standard rate.
Some of us work on a sliding scale or have different rates for speakers at different fee levels. I happen to work on a 15% commission to clients I market who take advantage of my negotiation services.

10. Speakers need to have a track record before an agency or bureau will accept them
and place them on their roster. If you've given only free speeches or spoken only at book signings those don't count. You need at least 12 paid engagements in 12 months with proof of fees of at least $2,500.

11. Speakers defeat the purpose of having a speaker agent if they don't use their agent's contract negotiation skills.
Why go to the trouble of securing an agent if you don't have your agent work her magic to get you significantly more money and many benefits you would not have thought to ask for?

12. Speakers can negotiate the commission percentage.
Not one speaker in 13-14 years has ever asked me to reduce the commission I charge. In some cases I would have been agreeable to do so. If you continually hand over high paying speaking requests to an agent you're in a good position to ask for a lower commission rate.


Six ways you can benefit from my experience and wisdom.

1. Buy and read any publications I have compiled.
For example I offer handbooks for unrepresented speakers on promotional materials, fee-setting and amenities speakers deserve; these are useful for speakers who choose to negotiate their own contracts.

2. Hire me for a
30 minute consult for advice on how to promote yourself, how to build your portfolio, or better negotiate your own contracts. It could make the difference between a $1,000 contract and a $5,000 one.

3. Be willing to pay a reasonable fee for visibility on my speaker directory site. My Web stats show meeting planners go to the directory of speakers page first, including journalists who want to interview speakers. Other sites charge speakers as much as $1000 a year for a listing.

4. Take an online class taught by me to become more informed about marketing yourself.

- Contrarian Principles for Boosting Your Expertise to Celebrity Status

- Brilliant Speaking Contracts for Un-represented Speakers

5. Join a discussion group for speakers that focuses on marketing techniques.

6. Have the agent represent/advocate for you by negotiating your speaking fees and contract terms.

7. Have the agent critique your speaking contract for errors, omissions, and creative suggestions before you sign it for a specific event. You don't want to leave money on the table or give away for free what the other speakers are getting paid to provide.

You may not be in a position today to have an agency or bureau put you on its roster, but a good agent will be able to provide you with any of the 7 preceding forms of assistance to help you get there sooner.


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Andrea Reynolds has been a professional speaker since 1977 and a speaker agent/advocate since 1990. She is the author of Secrets for Setting and Quoting Your Speaking Fees, The Speaker's Promotion Kit, and 33 Amenities Speakers Deserve.